One of the best sagas Virginia Andrews "wrote" in 1994. Ruby is
a teenager who lives with her grandmother in the swamps of Louisiana; there they
lead a precarious life and she helps her grandmother by selling
paintings made by herself, among other gadgets and groceries she displays in a stand on the
edge of the road.
Despite how hard the situation is Ruby seems to enjoy her life in the
swamps. At school she meets Paul Tate, a very attractive guy son of one of the
wealthiest families of the marshes and it is only when they attempt to
establish a formal relationship that her grandmother Catherine reveals the truth
that will keep them apart for a long time. This confession impels Ruby to put distance
between them with the excuse that she wants to meet other guys.
But admissions do not end here, grandmother Catherine has more to say
before she passes away. Ruby's father lives in the city of New Orleans and
there is where she should go once Ruby’s grandmother dies. After the funeral
and having let Paul know the truth about their origin and the circumstances
that bring them together, Ruby travels to New Orleans in search of her father;
where she acknowledges the existence of a twin sister; an urban copy of
herself.
From now on everyday life in the city becomes a whirlwind of sharp and
unexpected turns for Ruby; while trying to adapt to a new context she must face
the emergence of new characters that will produce painful impacts in her life. Keeping
a harmonious relationship with her sister means an additional challenge for
Ruby, until a decisive event cut short both girls’ plans. Ruby blames herself for
the misfortune and decides to bear the burden of what happened, her penance
will be to give up her own dreams.
This novel, like all novels Virginia Andrews wrote, is fraught with
catastrophe and incest. And as usual the story never gets boring, since it's
always something happening unexpectedly; setbacks and discoveries happen
all the time. This is a smooth reading and easy to conclude, no doubt the
reader will be willing to continue with the second part of the saga.
The villains of the story are unspeakably evil; and perhaps the most
irritating aspect of the work is that the good characters backslide into stupidity
again and again; such is the case of Pierre Dumas (father of Ruby and Giselle) although
he strives to provide Ruby with a warm home, he actually remains unaware of what
happens in the family, and if he were to suspect something he would surely feel
overwhelmed by the effort that represents to muster enough courage to face his
wife or his daughter Giselle and give Ruby the proper place; eventually he would opt for the easy alternative of leaving her at the mercy of Ruby’s stepmother and
sister.
Ruby meanwhile, is the typical protagonist who was born to suffer; her
life is filled up with a succession of tragic events that make up her sad existence.
This girl despite her experience does not learn anything; she continues to
allow others to abuse her without making any protest. This is a clear example
of the disastrous consequences that religious and superstitious influence
rooted from childhood lead to; it is particularly reflected when Ruby takes the
blame for what happened to Giselle as a presumed reply of her prayers.
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